Communication
Tone Is Inferred, Not Transmitted
Written messages carry almost no tonal information, so readers construct it from their own circumstances, which is why brief replies are so often read as displeasure.

A short message intended as efficient is regularly received as curt. The tone was never in the message; it was supplied by the reader, from materials the writer cannot see.
Text is tonally underspecified
Speech carries intent through pitch, pace, volume and expression. Writing has punctuation, word choice and length, which is a much narrower set of signals.
The gap does not remain empty. Readers fill it automatically, drawing on the relationship, their current mood and whatever happened immediately beforehand.
Because the filling is automatic, the resulting tone feels like a property of the message. Nobody experiences themselves as having invented it.
Writers overestimate how clearly intent comes through
The writer hears their own intended delivery while composing, which makes the message seem unambiguous. That internal soundtrack does not travel with the text.
Confidence about being understood is consistently higher than accuracy, and the gap is wider for humour and for anything mildly critical.
Assuming a message is somewhat less clear than it feels is a reasonable correction, particularly with people you do not know well.
Brevity is the most common misreading
Short replies are efficient for the sender and ambiguous for the receiver. A single-word answer could indicate agreement, indifference or annoyance, and the reader must choose.
Under time pressure the choice frequently goes negative, since a negative reading feels safer to prepare for. The recipient then responds to displeasure that was never there.
Adding a few words of warmth resolves this at almost no cost. The addition is not decorative; it is supplying the missing signal.
Existing relationships absorb ambiguity
People who know each other well read each other's brevity accurately, because they have a model of how the other writes. The same message from a stranger has no such context.
This explains why the same style works in one setting and causes friction in another. The style did not change; the interpretive context did.
New relationships therefore need more explicit tone until a shared model develops. The extra effort is temporary.
When it has gone wrong, the medium is the problem
Attempting to repair a tonal misunderstanding in writing frequently deepens it, since the same limitation applies to the clarification.
Moving to a conversation restores the missing signals immediately. The exchange that could not be resolved across several messages is usually settled in under a minute.
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